Laura Marling Once I Was an Eagle Review
| Once I Was an Hawkeye | ||||
|---|---|---|---|---|
 | ||||
| Studio album by Laura Marling | ||||
| Released | 27 May 2013 (2013-05-27) | |||
| Recorded | 2012 | |||
| Studio | 3rd Crow Studio, Bath, England | |||
| Genre | Folk, folk rock | |||
| Length | 63:20 | |||
| Label | Virgin | |||
| Producer | Ethan Johns | |||
| Laura Marling chronology | ||||
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| Singles from Once I Was An Eagle | ||||
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Once I Was an Eagle is the quaternary studio album by British singer-songwriter Laura Marling, and was released on 27 May (US/Canada, 28 May) 2013.[2] "Master Hunter" was the album's first official single release.[three] It was nominated for the 2013 Mercury Prize. The tape achieved unanimous critical acclaim, and has been cited equally one of the best vocalizer-songwriter records of the 21st century.[4]
History [edit]
Background and product [edit]
Marling began debuting songs from In one case I Was An Eagle, as early on as mid-late 2011, earlier the release of her third album, A Beast I Don't Know. These songs included "I Was An Hawkeye", "Pray For Me" and "Master Hunter". The album, co-ordinate to Marling, is the "evidently[est]" anthology she has written. She has commented that information technology follows a central figure, who angrily shuns naïvety and dearest, and over the grade of the anthology regains a "second naïvety". The anthology is written in iii tunings, which mark the bones changes in emotion. The first one-half ("Take The Night Off" to "Devil'southward Resting Place") has a darker, more than melancholic tone, whereas the second half ("Undine" to "Saved These Words") has a more upbeat and open tone, if non jubilant. Marling has stated that at that place is a greater cohesion to 'Once I Was An Hawkeye', in terms of themes and the development of the music. Many critics have noted that the commencement one-half feels more like a continuous thought, intensified by the beginning four songs ("Take The Night Off", "I Was An Eagle", "Y'all Know" and "Breathe") which flow together as one.
Following the conclusion of her bout for her previous album, Marling began production on her fourth album. Dissimilar her previous 3 albums, she chose non to work with a ring, and instead she enlisted the help of producer Ethan Johns and cellist, Ruth de Turberville, to assist with the album's production.[5] Marling recorded the album in 10 days at Three Crows studio in Bath, England. The guitar and vocals were recorded live in one accept.[half dozen] The album is considerably longer than her previous efforts, with xvi tracks, and running in at over an hour.
Promotion [edit]
The album was announced on 8 March 2013, along with a streaming of "Where Tin can I Go?" on Laura Marling'due south official SoundCloud folio.[seven]
Long fourth dimension collaborators, Fred & Nick, created an eighteen-minute movie called When Dauntless Bird Saved, written and directed by the pair, which was a "visual introduction" to the first four songs on the album, "Take The Nighttime Off", "I Was an Hawkeye", "You Know" and "Exhale". The iv songs seamlessly flow into one another, much like "Don't Ask Me Why" and "Salinas" on Marling's previous album, A Creature I Don't Know. The name from the film is derived from the titles of the last four songs on the album, When Were You Happy? (And How Long Has That Been), Love Be Brave, Footling Bird, and Saved These Words.
"Master Hunter" premiered on Zane Lowe's BBC Radio 1 show on 16 April 2013.[8] Marling performed stripped-back versions of "Master Hunter" and "Once" on Later...with Jools Holland on 26 April 2013.[9] [10]
To promote the anthology in North America, Marling embarked on a small tour leading upwardly to the anthology'due south release.[11] "Where Can I Go?" was sent to Due north American Triple-A radio on 20 May 2013.[12]
One calendar week prior to its official release, the album was available for streaming exclusively on The Guardian and NPR on 20 May 2013.[xiii] [14]
Marling collaborated with Secret Cinema for 18 dates on an event known equally the Eagle Brawl. Reception was extremely positive.
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| AnyDecentMusic? | 8.three/ten[15] |
| Metacritic | 86/100[16] |
| Review scores | |
| Source | Rating |
| AllMusic |    [17] |
| The A.V. Social club | A−[18] |
| The Daily Telegraph | [19] |
| The Guardian | [xx] |
| The Independent | [21] |
| NME | ix/10[22] |
| Pitchfork | viii.i/10[23] |
| Q | [24] |
| Rolling Stone | [25] |
| Spin | 8/10[26] |
The album received widespread critical acclamation. According to review aggregator website Metacritic, One time I Was an Hawkeye received an average score of 86 out of 100, based on 36 reviews, indicating universal acclaim.[sixteen] Aggregating website AnyDecentMusic? assigned a rating of viii.3, based on 39 reviews.[15]
NME gave nine out of ten, calling Marling's analysis of her human relationship, "forensic", and saying, "Four albums into a remarkable career in which she's yet to put a foot wrong, Marling is still waiting for her chorus. Once I Was An Hawkeye sets a high bar; does anyone doubt she'll soar over information technology?".[22] '
Clash Mag called it a "cute achievement" that confirmed Marling can "sit down side-by-side with PJ, Joni and Sandy", as ane of the "greatest vocaliser-songwriters of both her generation and generations before it." The review concluded, "Without doubt, this is one of the folk albums of the year."[27]
The Irish Times said, "whether she is softly crooning over a plucked guitar or dabbling with organs and percussion for quietly cacophonous climaxes, Marling is never less than captivating."[28]
Camber gave the anthology four and a half stars out of five, and called it, "close to a masterpiece, a heavenly composition with merely enough hell to continue things from feeling likewise familiar."[29]
musicOMH'due south Matt Langham, awarding the record four and a one-half stars out of 5, wrote: "It is a piece of work that cements her reputation equally one of the country's leading singer-songwriters. This, of form, is a continuing that's earned and age-blind… The songs are seemingly plucked as easily equally ripe fruit from a branch, but this belies their focus; information technology'south likely to exist every bit powerful and unified a passage of music as you'll hear all year."[30]
This Is Fake DIY awarded it nine stars out of ten, and said: "Compare her to Bob Dylan all you similar, merely to issue a bold statement, Marling hither proves herself, not as a production, but as an equal. Further down the line, information technology seems probable that on the emergence of another deceptively tranquillity young songstress with lyrics that stab and capture minds, the words on everyone's lips volition be 'this sounds like Laura Marling' instead."[31]
The Daily Telegraph gave it five stars out of five, Neil McCormick writing, "I tin't quite pin downwards this album and that is one of the most appealing things about it. Her songs are liquid and amorphous, decumbent to shape-shifting, rarely offer upwardly an obvious verse and chorus symmetry, or like shooting fish in a barrel interpretation. Marling is never likely to be a fixture of the pop charts. Merely Once I Was An Eagle is a masterpiece, and, at 23, she's even so only getting started."[19]
The Contained too awarded it 5 stars, maxim, "Equally well as her most lyrically mature work, information technology'southward too the most musically satisfying. Marling and producer Ethan Johns have opted for a sparse uniformity of guitars, hand percussion and cello."[21]
The Guardian awarded it 4 out of five stars, proverb, "In that location are a couple of moments where she withal feels like the sum full of a very tasteful record drove, where she struggles to make herself heard over the echoes of Joni Mitchell and Dylan'southward thin wild mercury audio. More often, though, she cuts through her influences, and rings out loud and clear; when she does, it's a very diverting audio indeed." The review highlighted the intensity and relentlessness of the beginning half-dozen-seven songs, and said of the latter half, "the quality of the songs remains almost unerringly loftier".[20]
"I'm really proud of that album," Marling told Drowned in Audio in Apr 2015. "It might be the album I'll exist nearly proud of forever."[32]
Beau musicians paid tribute to the anthology. "Aroused, sad, beautiful," observed Primal Scream's Bobby Gillespie. "The first five songs are similar one song, though she changes the melody. I know nil about her life only it sounds similar she's had her heart broken. You don't write songs that intense for the sake of it; it comes from somewhere deep."[33] "One time I Was an Hawkeye is actually getting to the root of something," said Elbow'southward Guy Garvey. "Every time I hear Laura live, the level of authenticity in her voice is palpable." "It's her first masterpiece," enthused Paul Weller. "It's very intense. I love the actually night, thick sound Ethan Jones gets on the record." "The best thing I've heard this year has got to be Laura Marling at the Royal Albert Hall…" said Jimmy Folio. "There was something of a communion going on there, because everyone in the audience was just mesmerised by her. She did this real lengthy number that just congenital. You can tell that she must similar Roy Harper. It was so emotional. She's a actually great storyteller and she is a great guitar histrion. Really incredible."[34]
Accolades [edit]
| Publication | Rank | Listing |
|---|---|---|
| American Songwriter | xx | American Songwriter's Top 50 Albums of 2013[35] |
| The Guardian | 17 | The best albums of 2013[36] |
| Mojo | 22 | MOJO'southward Top fifty Albums of 2013[37] |
| musicOMH | eighty | musicOMH's Top 100 Albums of 2013[38] |
| The New York Times | 2 | Top Ten Yr-End List[39] |
| NME | 9 | NME's fifty All-time Albums of 2013[xl] |
| No Ripcord | 7 | Peak 50 Albums of 2013[41] |
| NPR | 33 | Poll Results: Listeners Pick Their Favorite Albums of 2013[42] |
| PopMatters | 32 | The 75 Best Albums of 2013[43] |
| Pretty Much Amazing | 14 | PMA's forty Best Albums of 2013[44] |
| Q | 18 | Q'due south l Albums of the Year[45] |
| Rolling Stone | 20 | 50 Best Albums of 2013[46] |
| Camber | 20 | The 25 Best Albums of 2013[47] |
| Spin | 33 | Spin's 50 Best Albums of 2013[48] |
| Uncut | v | Uncut'south Pinnacle 50 Albums of 2013[49] |
| Under the Radar | sixteen | Under the Radar's Tiptop 125 Albums of 2013[50] |
| Uncut | – | Uncut's fifty best singer-songwriter albums[51] |
| Overall | ||
| Average | 21.75 | sixteen lists |
Track listing [edit]
All tracks are written past Laura Marling, except for "Interlude" past Ethan Johns[52].
| No. | Title | Length |
|---|---|---|
| 1. | "Take the Nighttime Off" | 4:12 |
| two. | "I Was an Eagle" | 4:21 |
| 3. | "You Know" | two:thirty |
| four. | "Breathe" | five:00 |
| 5. | "Master Hunter" | three:16 |
| 6. | "Little Love Pulley" | 5:52 |
| 7. | "Devil's Resting Place" | 3:xiv |
| 8. | "Interlude" | 2:16 |
| 9. | "Undine" | 3:12 |
| x. | "Where Tin I Go?" | 3:40 |
| 11. | "Once" | 3:38 |
| 12. | "Pray for Me" | 5:05 |
| 13. | "When Were You Happy? (And How Long Has That Been)" | 3:53 |
| 14. | "Love Be Brave" | 3:04 |
| xv. | "Footling Bird" | 5:40 |
| xvi. | "Saved These Words" | 4:27 |
Personnel [edit]
- Laura Marling – vox, guitar
- Ruth de Turberville – cello
- Ethan Johns – drums, production
- Male monarch Horan – bass
Chart performance [edit]
As of March 2015 it has sold 31,000 copies in The states.[67]
References [edit]
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- ^ Monger, James Christopher. "One time I Was an Hawkeye – Laura Marling". AllMusic. Retrieved 1 July 2016.
- ^ Inman, David (28 May 2013). "Laura Marling: Once I Was An Eagle". The A.V. Club . Retrieved 1 July 2016.
- ^ a b McCormick, Neil (23 May 2013). "Laura Marling, Once I Was An Eagle, review". The Daily Telegraph. London. Retrieved ane July 2016.
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- ^ http://drownedinsound.com/in_depth/4148884-la-ldn-story--laura-marling Archived 12 Apr 2015 at the Wayback Auto Drowned in Sound, ix April 2015, LA-LDN Story: Laura Marling
- ^ Gilbert, Pat (January 2014). "2013: Bobby Gillespie picks his albums of the twelvemonth". Mojo. No. 242. p. 56.
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- ^ Staff (13 Dec 2013). "PMA's 40 Best Albums of 2013". Pretty Much Astonishing. Retrieved 18 December 2013.
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Source: https://en.wikipedia.org/wiki/Once_I_Was_an_Eagle
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